other stage
Recent directing credits include The Harder They Come at the Public Theater, Cirque Du Soleil’s Paramour, for American Repertory Theater Arrabal (Elliot Norton Award for Best Direction), the North American tour of Flashdance the Musical, the Broadway concert of Gloria Estefan & Miami Sound Machine, and the digital concert ¡Viva Broadway! Hear Our Voices.
He is a two time Emmy Award nominee for Christmas in Rockefeller Center and Annie Live! for NBC.
Additionally, he choreographed the 2021 Tony Awards, The Kennedy Center Honors, and numerous appearances of his acclaimed Broadway productions on the Tony Awards. He worked alongside Clint Eastwood as the choreographer of the Jersey Boys film.
He is in pre-production for several Latinx musicals which showcase Hispanic culture in America, including: Real Women Have Curves, based on the play by Josefina Lopez, Waiting for Snow in Havana, based on the book of the same title by Carlos Eire, Lives in Limbo, based on the book by Roberto Gonzales, Casa de Las Flores, inspired the Netflix Series by Manolo Caro, and Like Water For Chocolate based on the novel by Laura Esquivel.
He has introduced diverse audiences to his choreography in many noteworthy Off-Broadway shows including: Invisible Thread for Second Stage, Romeo & Juliet for The Public Theater’s Shakespeare in the Park, A Tree Grows in Brooklyn and Kismet for New York City Center Encores!, The Great American Trailer Park for Dodger Stages, and Bare: A Pop Opera for the American Theatre for Actors.
Over his 25-year career, his list of international theater hits has expanded exponentially, to the point where he has had over 15 productions running at the same time globally. His work on Disney’s Tarzan ran for 12 years in Europe, Jersey Boys continues a successful run all over the world — simultaneously in Europe, Asia, Australia, South Africa and the US. The Addams Family found homes in Brazil, Argentina, and Mexico. Tony-Winning musical Memphis played in movie theaters nationwide concurrently with its Broadway run, and streamed on Netflix soon after.
His exceptional moves landed perfectly in Peggy Sue Got Married for London’s West End, Kiss Me Kate and Twelfth Night in Tokyo, West Side Story for Canada’s Stratford Festival, and Needfire for the Royal Alexandra Theatre.
The list of national theaters and companies he has created original content for has grown to include Freaky Friday for Disney, the US tour of Kiss of the Spider Woman, Carmen: An Afro-Cuban Musical for the Olney Theatre Center (Helen Hayes Award nomination), The Wedding Banquet for Seattle’s Village Theater, and Chita and All That Jazz in which he served as co-choreographer to Chita Rivera.